Last night I had a chance to work with the brand new Dynalite Baja strobe, the newest addition to the Dynalite line. The Baja is a self contained battery operated 400 watt second monolight with an internal battery. I really like the quality of the light coming from the Baja. The recycling time was almost immediate, and the built in modeling light was great. It's not heavy and easy to work with.
With the Baja strobe and Chimera Beautydish combination as my main light, I photographed a model, Eddy Twal in the front and back of my studio in South End's Boston. I used a Sekonic L-478DR to read my light. All strobes were triggered by PocketWizard Plus III. My camera was set on manual and the color balance was set on daylight. When working on location I use a Hoodman Loupe to view the images on LCD screen.
This was photographed at the same location as my last week's blog "Strobe on, Strobe off!" Different strobes give you different looks. This image is a mixture of strobe and ambient light, with a hand held long exposure. This is a single light photograph, using the Dynalite Baja strobe, Chimera medium beauty dish with an egg crate diffuser, held by my assistant with a 1420 VAL Spigot on painter's pole for the light stand. The VAL Spigot is produced by my friend Ian Pack in the UK. This is a great adapter to add to your lighting kit. My camera was set at an ISO 200, 1/4 second and F4. The feeling of movement is created by shifting my camera from left top to down.
In this photograph I used the Dynalite Baja strobe with Chimera medium beauty dish with an egg crate diffuser and Sunbounce 4'x6' zebra reflector. This is also a single light photograph. My camera was at ISO 250, 1/6 second and F4.5. My shutter speed was determined by the ambient light, I wanted to have the yellow door lamp bright, but not overexposed. I choose F4.5 for depth of field.
This photograph is taken behind my studio. My main light was a Dynalite Baja Strobe with a Chimera medium beauty dish with an egg crate diffuser. The backlight was a Dynalite Uni portable strobe with a Rosco CTO gel, to warm the color, Rosco Toughspun to soften the light and Rosco Cinefoil to craft the light. In the set up photograph, my assistant was holding black foam core against Chimera beautydish to shape the light, and produce the drop off of light in the lower right corner. My camera was set at ISO 200, 1/2.5 second and F 4.5.
Due to my training as a long time photojournalist, I try to do it all in camera. Less time spent in front of computer is better for my soul....!
I hope you can join me at one of my up coming "Location Lighting Workshops™" in Telluride, CO and at the Societies Photographic Convention in London, UK. Please look at www.rickfriedman.com/workshops for a complete list of upcoming events.
For another post on portraits in the dark, please look at my blog post on "Shooting at Twightlight in Costra Rica"
All the Rosco products are included in Rick Friedman Rosco Location Lighting Kit!