Rosco

Tuesday's Tips: A One Day Assignment

Happy Summer Shooting!

I  recently worked on a wonderful assignment  shooting photographs to promote a new upscale seniors condo project  located on the water, north of Boston. The main challenge with this project was that  the complex has yet to be built.  My job was to sell a development that didn't exist yet.  How do you do this? You sell a life style.  I had one scouting day and one shooting day to produce the photographs.  The scouting day was spent with the client to determine locations and discuss concepts, create a timeline the shoot and work with a model agency to select models for the projects and shoot.  Most of my work is editorial, this is not!

I shot 14 situations in a  day using a total of 15 models. On a shoot like this, everything has to be scripted.  There is only a limited amount of time for each situation and you try not to keep the models overtime.   It is essential, you move quickly and your lightings has to be extremely mobile as well as produce the look of light you are after.   I worked with a self contained 400WS Dynalite Baja strobe and a Chimera softbox.  The combination is very portable, being hand held most of the time while  giving me beautiful light with a fast recycling time.  On those mid day shots, this combination is perfect for over powering hash summer light. ( you can also read on how to deal with harsh sunlight on my blog; Controlling the Sun!)

When mixing strobe and ambient light, I set my camera on manual and expose for "the element you cannot control" which was often the sky.  I used the in-camera meter to determine my ambient reading and Sekonic 478R Light Meter to determine the strobe output.  I could use the Sekonic to read the ambient light, I just didn't.  I also used a polarizing filter to bring out the sky and an ND filter, to control my choice of Fstop.

 

Be spontaneous! We did not plan for a dog!

 

 

 

During  the final shoot of the day, a cocktail party, we were after the feel of late afternoon light.
The problem here was the back of the house was in shade.  To get the effect of warm light, 
I used a Rosco full CTO (color temperature orange) filter over the two Baja strobes used to light the photograph. I used a 30 degree grid to control the light.  The Rosco CTO filter is one of 26 filters in my "Rosco Location Lighting Kit by Rick Friedman

For 1 day shooting, it is difficult to produce 14 situations and one has to be very efficient and move quickly.  Know your equipment, and travel light. It's a lot of work, but a great way to spend a summer's day.   I got to ride on a boat to celebrate a great shoot and work with wonderful people.  Happy Summer Shooting!

Upcoming Location Lighting Workshop Schedule.  Hope you can join us!

August 8-9
Unique Photo, Fairfield, NJ

September19 & 20
Hunts Photo, Providence RI

September 27-29
Berkshires Workshop, North Adams, MA ( Please email me for registration and more info)

October 17 & 18
Hunts Photo Portland, ME

Tuesday's Tips: Lighting a London Asylum!

My destination Location Lighting Workshop held at the Societies Photographic Convention, aka SWPP in London resulted in some wonderful images and was  an event teeming with an abundant source of gear and creative alternatives.   The workshop was held at the Asylum, at Caroline Gardens Chapel in Peckham, London..  The Asylum was built between 1827 and 1833, bombed during WWII and semi restored.  This provided an incredible  place to hold a lighting workshop as it afforded us endless possibilities to create moods and scenes depicting a variety of situations.  We had 2 great models and masses of equipment from The Flash Center, Rosco, PocketWizardChimera Lighting and Rogue Flash Benders

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The lighting on this image was an Elinchrom Ranger Quadra strobe with a Chimera Strip Light on the right side of the model. On the left side of the model and slightly behind her was another strobe with a Rosco #83 Blue gel.  Placed in  front of the blue gel was a grid made out of Rosco CineFoil to control the light direction and break up the light beam.  The smoke was created using a Rosco Vapour fog machine.
If you back light your smoke, it will  have a greater effect.  This is true when using a fog machine or when photographing smoke from a cigarette or cigar.  This photograph was shot on a Nikon D-800 with a 24-70 Nikon lens at 35mm, 1/100 of a second at f5, ISO 100.

The photograph below is a mixture of strobe and ambient light.  The light on the models face is from a strobe through a Chimera 30" beauty dish.  The light on the left side of the background is ambient light and the colors were from the bright sunlight  shining through the stained glass windows about 20 feet above the floor.  This was shot on a Nikon D800 with the lens at 24mm , 1/125 of a second, at f 4 ISO 1000.  

 

Here are a few more images from the Asylum workshop.

                 

 


 

 

 



 

At every "Location Lighting Workshop™" we create our "Silly Group Photo" Here is  the Asylum image.  Thank you to Canna Gray of Rosco and Ian Pack of The Light Side for all their help during the workshop.

Please join me at one of my upcoming "Location Lighting Workshops™"  Click here for the schedule.

 

 

 

 

Tuesday's Tip: Lighting Hyunah

This week's Tuesday Tips is a photograph from my studio.  As a photojournalist and corporate photographer, I do the majority shoots on location, although I do use my studio for some assignments.  Quite often, I use my studio like my test kitchen exploring new lighting techniques and testing new equipment.  All of the light in this photograph was produced using 3 Speedlights and a plant!  Ok, I used some other equipment.

My wonderful model for this shoot is Hyunah Jang.  A superb photographer, now working in Hawaii. 

The main light in this photograph is a Nikon speedlight shot through a  Flashbender XL Pro Strip Diffuser.   The hairline light another  speedlight with  a Rogue Grid  and a 1/2 CTO orange gel on a boom overhead.  For the background we placed a third strobe on the floor behind the screen with a blue gel  and fired it through a plant to give us the pattern on the screen.  We  used a piece of foam core to bounce the light from the Flashbender back on to our model’s face.  ISO 125 Fstop 7.1 and Shutterspeed 1/100.  

This set up works in a really small space and with the exception of the screen and plant is really portable.   The end photograph just does not feel like it was shot in a  really small space.

 

    Gear used in this Shoot:

    Nikon D800
    Nikon 70-200 f2.8 zoom lens
    Nikon 3 Speedlights
    4 PocketWizard Plus III
    ExpoImaging Rogue XL Pro Strip Diffuser (main light)
    ExpoImaging Rogue Grid with gel (Hairline light)
    Rosco Blue gel (background)
    Formcore
    Manfrotto Justin Clamp (to hold a form core)

     

     



    Tuesday's Tips : Fun at PhotoPlus, New York

    I had a great time at PhotoPlus in NYC, presenting 5 lectures and live demos for Sunbounce, Rosco, Expoimaging and Unique Photo during the show.  Here are a few of the photographs recapping PhotoPlus. Enjoy!

    Rosco released the new version of my Location Lighting Kit.  The kit includes 27 Rosco color gels, Cinefoil, and Toughspun, a must-have in my camera bag.  I presented a Live Location Lighting Workshop using my kit to create photographs at the Rosco booth shooting the model against a white backdrop

     Thank you for the great make up, Kate Easterbrook who came all the way from Toronto!

    Thank you for the great make up, Kate Easterbrook who came all the way from Toronto!

    This was a 3 set-up: The main light was a Dynalite Baja Strobe with a small Chimera striplight.  The background was created by blowing a Nikon Speedlight  through a pattern cut in a sheet of Rosco Cinefoil with 4 color gels.  The black cardboard is to prevent my main light from hitting my background.  The hairline light was a Nissin Speedlight with a color gel, Toughspun, and Cinefoil.  All the gels, Cinefoil and Toughspun are in my new Rosco Rick Friedman Location Lighting Kit.  I mixed 3 different brands of strobes and fired them using Pocketwizard Plus III’s. 

     

    I did another fun demonstration at the Expoimaging booth, using a Rogue XL Flashbender, set up as a strip light,  3 Rogue Grid sets and 3 color gels.  The set up for this shot was 4 speedlights.  My main light was was a Rogue XL Strip light on the left side.  The hairline light was a Rogue grid with an orange gel placed directly behind the model and aimed at her head. The side  light was a Rogue grid with a blue gel placed to her right side. The background light was a Rogue grid and a red gel aimed at the backdrop.  

     

    I did a live demo for Sunbounce Hasselblad Bron on the show floor stage working with Sunbounce Bouncewalls, and Sunbounce MicroMini reflectors.

    At the Unique Photo booth I presented my Location Lighting Workshop presentation.  I am delighted to say that we will presenting  another Location Lighting Workshop at Kips Castle in the spring!  Kips Castle is a old castle located at Monclair, NJ.  We had great photo fun last time.  Registration infomation is coming soon!

    My good friend, great photographer, and creator of Digital Photo Experience, Rick Sammon interviewed me about my new "Rosco Rick Friedman Location Lighting Kit".   If you have not subscribed to his podcast,  sign up today! Its a great resource for photographers, and stay tuned for my episode!

     

    In the mist of PhotoPlus, I also managed to see many of my photo friends including Jim Morton and Jason Etzel at the Dynalite booth

    To unwind, the Flug Halloween Party was the place to be.  The party was sponsored by my friends at Resource Magazine and Hasselblad Bron.  I know it's hard to tell, but the person in the middle is Resource Magazine publisher Alexandra Niki, on right is photographer Gabriel Biderman.  Both Gabriel and myself recently led FujiFilm Photo Tours.  


    You can see many more behind the scene photos from PhotoPlus on my Instagram, RickFriedmanPix.  My next 2 stops for my Location Lighting Workshops are Hunts Photo in the Boston area in December and  at the Societies Photographic Convention in London in January.  I'll be teaching my Location Lighting Workshop "A Day at Asylum with Rick Friedman" (love the title!).  Hope you can join us!

    Tuesday's Tips: "Throwing Colors at the Wall" with my new Rosco Location Lighting Kit

    I'm excited to announce that Rosco is releasing the new version of the  "Rick Friedman Location Lighting Kit" at PhotoPlus Expo in NY this week. Lots of color gels, Toughspun & Cinefoil,  I'll be demonstrating the new kit at the Rosco booth on Friday 10/31.  Booth 165.  

    If you look in my camera bag, you will  find a plastic bag of Rosco color gels, Toughspun and Cinefoil, in various sizes that I use for my assignments. I use the gels to color correct and create interesting light  while the Cinefoil helps me control the light and the Tough Spun helps softens the light.  All these fit in a small bag!  

    The beauty of working with Rosco Cinefoil and color gels is you can make a boring background into interesting one!  The model is leaning against the brick wall outside the studio.  By adding the color gels shot through holes in the Cinefoil, I was able to project the colors on the wall.  Before the cover shoot we cut a pattern out of a sheet of Rosco Photofoil and taped pieces of different color gels over the holes in the Cinefoil.  My background light was a Nikon speedlight blown through the colored cut out to project interesting patterns on the bricks.   I used a speed light for my background because I wanted to have the pattern to come out clear: a smaller light source will gives you harder edge.  My main light was Dynalite Uni with a grid and Rosco Toughspun.  I used a sheet of Cinefoil to direct my main light to create the feeling of a spot light on my model.  The Uni strobe  was powered by a portable Jack Rabbit battery and both strobes were fired using PocketWizard Plus IIIs.

    This is a strobe photograph, with no ambient light.  I used Sekonic 478 Lightmeter to read the strobe output.  My exposure for this shot was 1/250 second, f5 at ISO 80.

     

    Equipment used for the cover shot are:
    Lots of Rosco color gels
    2 sheets of Rosco Cinefoil
    Dynalite Uni with a grid and
    Rosco Toughspun
    Nikon Speedlight
    PocketWizard Plus III
    Sekonic Lightmeter 478
    Nikon D800

    Thank you Eve Eliseeva for being a wonderful model!

     

    I will be doing a series of lectures and live demos throughout PhotoPlus 2014 Expo at Javtis Center in New York City. 

    Thursday October 30
    Noon-12:30 California SunBounce PhotoPlus Show Floor Theatre
    1:30- 2:15 Unique Photo Booth #937

    Friday Oct 31
    ROSCO Booth #165

    Saturday Nov 1
    12:30 – 1:15 ExpoImaging Booth #134
    2:30 – 3:15 Unique Photo Booth #937

    I will discuss "how-to" on my lighting from my photo assignment, a lot of gear talk as well as fun behind the scenes stories. If you are planning to be there, come say hi!

    Tuesday's Tips: Creating Backgrounds With Cinefoil, Gels And Scissors!

    This week's Tuesday Tips is a series of photographs from my studio.  As a photojournalist and corporate photographer, I do the majority of my work on location, although I do shoot some assignments in my studio.  Quite often, I use my studio as my test kitchen, exploring new lighting techniques and testing new equipment.   We were working with the idea of creating unique patterns with color on a plain white backdrop using Rosco gels, and Cinefoil, which is black tinfoil.  What we were able to create, using similar lighting setups, and minor changes in the lighting, resulted in a totally different look in the background. 

    Three lights were used with all three photographs below.  A main light on the model, a hairline light, and a backlight on the backdrop.  To create the pattern on the background, we cut holes in piece of Cinefoil and shot a strobe with a blue gel through it. The effect of lighting these images with Speedlights verses Dynalites are vastly different. 

    The large light source will give you a softer light, while the speedlght, a smaller light source, will give you a harsher light effect.

    Lighting setup and gear used:  
    Nikon D800 camera
    Nikon 70-200 f2.8 lens
    3 strobes (Speedlights & Dynalite)
    Rosco Cinefoil
    Rosco CTO (orange gel)
    Rosco blue gel
    Rosco Tough Spun
    Reflector
     Pocket Wizard Plus III, TT5 
    Light Meter (I use Sekonic 478 DR)
    Chimera Softbox
    Manfrotto light stands
    Boom (to hang a piece of Cinefoil)
    Clamps

    This diagram shows the basic setup.  I used different lights to achieve different visual effects on my images.  I used Sekonic 478 DR Lightmeter.  All strobes were fired using PocketWizard.  When adding colors to your photographs with gels, it is important that your white light does not hit the colored areas, as the white light will blow away your colors.

    Dynalite setup:
    My main light was a Dynalite with a Chimera Softbox.  My hairline light was another Dynalite head with a grid and a Rosco full CTO gel.  The background light was shot through custom cut Cinefoil with a Rosco blue gel.

     set up

    set up

    Speedlights and softbox setup:
    All lights for this setup were Speedlights.  The main light I used was a Nikon SB900 with Chimera Softbox as a light modifier.  The background light on the white backdrop was Nikon SB900 with Rosco blue gel with a custom cut Rosco Cinefoil.  For the hairline light, I used another Speedlight.  I put Cinefoil around the Speedlight to make a snoot, so that I can direct the light to only illuminate her hair.

    Notice the drastic difference on the background pattern between the Speedlight setup and the Dynalite setup. This is because of the size of light source in relation to size of Cinefoil.  The smaller the light source, harder the edge of the shadow.  
    I prefer to use a Chimera Softbox for the high quality of a light, for easy set up, and for its compact size for easy travel.

    Speedlight and Cinefoil
    You can create a very nice hard light with Rosco Tough Spun and Rosco Cinefoil.  This is an all Speedlight setup.  The main light on the model's face is a Speedlight with Cinefoil to control its direction, and Rosco Tough Spun to soften the light.  If you compare this light with the light through a Softbox, the edge of shadow is much harder.  I also rotated the sheet of Cinefoil to change the background pattern.

     

    My assistant, Keiko, created this heart shaped pattern cut out of Cinefoil.  This is a Dynalite setup.  My main light on the model's face is a Dynalite with grid.

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    Thank you to Hyunah Jang, who is also a wonderful photographer, for being a model for this shoot!

    The Gels, Tough Spun, and Cinefoil I use, are all included in the Rosco Rick Friedman's Location Lighting Kit available for purchase at my Location Lighting Store here.

    To learn this lighting technique and many others, come join me for a three day Location Lighting Workshop at Telluride Photo Festival in beautiful Telluride, CO on September 29th - October 1st, 2014. It will be fall foliage time!  

    A Day at the Asylum in London!  This will be a very fun workshop to be sure! I am teaching during the Societies Photographic Convention in London, UK on January 16th trough 18th, 2014. ( The Asylum workshop in on January 17th)

    The workshops will cover use of Speedlights and Studio strobes with various light modifiers and gels.  We hope you can join us for one of the hands on workshops.  

    Please visit my website for a complete list of upcoming workshops.