Lighting

Tuesday's Tips: A Smokin' Workshop!

Recently I hosted a smokin’ workshop at my studio in Boston’s historic South End.   Actually it wasn’t smoke, it was fog from a Rosco fog machine!

This workshop was a 2 day advanced Location Lighting Workshop and everyone who attended had previously taken one of my workshops.  We decided to create a complex lighting job! 

It was a slightly rainy day in the courtyard behind the studio, so all the strobes and electrical connections had to be covered in plastic.  The courtyard is 22’ x 40’  minus the space for the garden, we had about 15’ x 30’ to work in.  The key to photographing smoke is to back-light it.  I will introduce you 2 smokin' lighting set ups from the workshop in this blog.

Set Up 1

Main light was Dyna lite Baja 600 with Chimera strip light with barn doors to control the direction of the light.  We set up another Dynalite Baja directly behind the model with a 20 degree grid anda Rosco blue gel.  We placed 4 Nissin speedlights with different color Rosco gels in ziplock bags on the ground and in the tree.  The lantern was lit with amini optical slave with Rosco yellow gel and a piece of Rosco Toughspun to cut the exposure . A cross screen filter was used to create the star effect. Rosco fog machine was at stage left, just outside the frame. 

Nikon D810 Lens (mm): 46 ISO: 200 Aperture: 7.1 Shutter: 1/250

Nikon D810 Lens (mm): 46
ISO: 200
Aperture: 7.1
Shutter: 1/250

In this photograph we changed some of the filters and removed the cross screen filter.

Nikon D810 with a Nikon 24-120 f4. lens. ISO: 200 Aperture: 7.1 Shutter: 1/250

Nikon D810 with a Nikon 24-120 f4. lens.
ISO: 200
Aperture: 7.1
Shutter: 1/250

 

 

Here is what the courtyard looked like without lighting.

Gear used:

1 Rosco Mini V Fog Machine
5 Rosco gels from my Rosco Location Lighting Kit
2 Dynalite Baja strobes, 1, 400ws and 1 600 ws
4 Nissin Di700A flashes ( in plastic bags to protect from the rain)
1 Chimera strip light with barn doors
1 mini flash with an optical slave
5 Pocket Wizard Plus III
2 Pocket Wizard Plus IV
2 PhotoFlex light stands
1 cross screen filter

 

Set Up 2

This is 2 Dynalite Baja and 1 Nissin speedlight set up.  1 Dynalite Baja with a Chimera strip light as main light and the other with a grid and Rosco blue gel as back light.  There is a Nissin speeslight with Rosco red gel in background as well.

Nikon D810 Lens (mm): 100 ISO: 100 Aperture: 4 Shutter: 1/100

Nikon D810 Lens (mm): 100
ISO: 100
Aperture: 4
Shutter: 1/100

 

Behind the scene.

Gear used:

3 Rosco gels from my Rosco Location Lighting Kit
2 Dynalite Baja strobes, 1, 400ws and 1 600 ws
1 Nissin Di700A flash
1 Chimera strip light with barn doors
1Pocket Plus III
2 Pocket Wizard Plus IV
 

Here is our silly group photograph from the smokin' workshop!  Thank you for everyone attending.  Last but not the least, thank you for good friends at Rosco for lending us the fog machine!

Nikon D810 Lens (mm): 24 ISO: 500 Aperture: 10 Shutter: 1/250

Nikon D810 Lens (mm): 24
ISO: 500
Aperture: 10
Shutter: 1/250

I will be at Unique Photo Expo 2016 on June 24 through 26! Hope to see you there! 

Happy Lighting! and Please Don't Feed the Models!

 

 

 

Tuesday's Tips: Fun with Lights!

Last week I introduced the new version of the Rick Friedman Location Lighting Kit by Rosco during a 2 hour Location Lighting Workshop presentation at B&H Photo in New York.  The idea for my Location Lighting Kit came from my "must have" in my camera bag: correction filters, color gels, PhotoFoil and Toughspun.  Using a Dynalite Baja B4 Strobe, my Rosco Location Lighting Kit, a few PocketWizards, a couple of Nissin strobes and a Sunbounce reflector, the goal was to demonstrate different types of lighting, starting with a single strobe and end with elaborate lighting with a projected background all in two hours at the B&H classroom.   Please view the video!

Our wonderful model, Hillary Button, is standing in front of a plain white backdrop.  The photograph below is our set up. The main light is a Dynalite Baja B4 400WS strobe with a 20 degree grid.  The front of the strobe is wrapped in Rosco PhotoFoil, to control the beam of light, so the model is lit without any light from the Dynalite strobe hitting the backdrop. The black foam core further prevents white light from hitting anywhere on the backdrop.   Behind the model's head is a Nissin Di866 flash with a Rosco Night Blue gel #74, giving her the highlights around her hair.  To create the background, I took a sheet of PhotoFoil and cut out the pattern, and hung it from a small boom in front of flash.  I used a Sunbounce Flash Bracket to connect a Nissin MG8000 flash to the same light stand as the boom holding the PhotoFoil pattern.  In front of the Nissin flash is a Rosco CalcolorBlue #90 gel.  The PhotoFoil and the gels are included in my Rosco "Rick Friedman Location Lighting Kit."  The photograph was shot with a Nikon D800 and a Nikon 105mm macro lens on an Induro Tripod connected  to my computer with a TetherTool cable.

 

The photograph below is from the beginning of the presentation.  The lighting in this image
is from the Dynalite Baja B4 strobe, which is powered by an internal battery, shot through a Dynalite medium soft box.  On the right side of the model's face is a Sunbounce Micro-Mini reflector.  

To determine my exposure, I use a Sekonic 478DR light meter (photo on right).

 

In this photograph of Hillary, I have added a Rosco Calcolor Lavender 60 gel to the Nissin MG8000 flash behind her head.


And here I am having another rough day at the office!

Thank you to our wonderful makeup artist Kate Easterbrook for a great job and from coming all the way from Toronto.  
I hope you can join me at one of my upcoming Location Lighting Workshops for a couple of days of Lighting and Laughing! This weekend I will be at Hunts Photo & Video just outside Boston.

Tuesday's Tips: "Throwing Colors at the Wall" with my new Rosco Location Lighting Kit

I'm excited to announce that Rosco is releasing the new version of the  "Rick Friedman Location Lighting Kit" at PhotoPlus Expo in NY this week. Lots of color gels, Toughspun & Cinefoil,  I'll be demonstrating the new kit at the Rosco booth on Friday 10/31.  Booth 165.  

If you look in my camera bag, you will  find a plastic bag of Rosco color gels, Toughspun and Cinefoil, in various sizes that I use for my assignments. I use the gels to color correct and create interesting light  while the Cinefoil helps me control the light and the Tough Spun helps softens the light.  All these fit in a small bag!  

The beauty of working with Rosco Cinefoil and color gels is you can make a boring background into interesting one!  The model is leaning against the brick wall outside the studio.  By adding the color gels shot through holes in the Cinefoil, I was able to project the colors on the wall.  Before the cover shoot we cut a pattern out of a sheet of Rosco Photofoil and taped pieces of different color gels over the holes in the Cinefoil.  My background light was a Nikon speedlight blown through the colored cut out to project interesting patterns on the bricks.   I used a speed light for my background because I wanted to have the pattern to come out clear: a smaller light source will gives you harder edge.  My main light was Dynalite Uni with a grid and Rosco Toughspun.  I used a sheet of Cinefoil to direct my main light to create the feeling of a spot light on my model.  The Uni strobe  was powered by a portable Jack Rabbit battery and both strobes were fired using PocketWizard Plus IIIs.

This is a strobe photograph, with no ambient light.  I used Sekonic 478 Lightmeter to read the strobe output.  My exposure for this shot was 1/250 second, f5 at ISO 80.

 

Equipment used for the cover shot are:
Lots of Rosco color gels
2 sheets of Rosco Cinefoil
Dynalite Uni with a grid and
Rosco Toughspun
Nikon Speedlight
PocketWizard Plus III
Sekonic Lightmeter 478
Nikon D800

Thank you Eve Eliseeva for being a wonderful model!

 

I will be doing a series of lectures and live demos throughout PhotoPlus 2014 Expo at Javtis Center in New York City. 

Thursday October 30
Noon-12:30 California SunBounce PhotoPlus Show Floor Theatre
1:30- 2:15 Unique Photo Booth #937

Friday Oct 31
ROSCO Booth #165

Saturday Nov 1
12:30 – 1:15 ExpoImaging Booth #134
2:30 – 3:15 Unique Photo Booth #937

I will discuss "how-to" on my lighting from my photo assignment, a lot of gear talk as well as fun behind the scenes stories. If you are planning to be there, come say hi!

Tuesday Tips: Mixing Strobe and Ambient Light

I had this wonderful assignment to photograph a French Musician, Lulu Gainsboro, in Boston.  The assignment was to photograph "his day in Boston".  At the end of the day of reportage,  I did a portrait of him in front of Boston skyline at dusk.

The lighting in this image is a mixture of ambient light and a single Nikon SB900 Speedlight with Chimera small soft box, fired with a PocketWizard TT5.  My camera was set on manual. To determine my exposure, I read the light on "the element I cannot control".  In this image I used the camera meter to expose for the sky.  I underexposed the sky to get it to be deeper blue. I used a Speedlight to light my subject.  The placement of the strobe and Chimera softbox gave me different effects with my light.  It was early summer in Boston, around 8 o'clock.   My exposure was ISO 640, f4.5 and Shutterspeed 1/8 second.

In photograph 1 (above), I placed my light on the far side of his face so the light drops off on the near side of the camera. In photograph 2, my light was placed closer to my camera position so the near side of his face is lit.

Which lighting style you like, is subjective.  I prefer the lighting style in the first photograph.  Having the light drop off on the near side of the face is more dramatic.  There are many stylistic choices to light your subject. Play around, place your light source at different angles, in relation to your subject to see the different effect.  

Happy Lighting!