lighting

Tuesday's Tips: "Live from New York !"

We had a great time presenting my my Location Lighting demonstrations during PhotoPlus Expo 2017 in New York!  Here are images from my ExpoImaging Rogue Flashbender live demonstration using Nissin speedlights at Unique Photo Booth.  

Both are 2 speedlights photographs with Rogue Flashbenders against the same black velvet background on a 4 foot square stage, achieving very different visual effects.


DSC_9327-EditCMYKCMYK.jpg

Main Light: Nissin Flash Di700A with Rogue Flashbender XL
Hairline light: Nissin Flash Di700A with Rogue Flashbender XL and ExpoImage purple gel
The Speedlights were trigged using a Nissin Air 1 Transmitter.
Shot with NIKON D810
ISO: 250
Aperture: 4.5
Shutter: 1/160

PPE 2017 Diagram 1.jpg

DSC_9779-EditCMYK.jpg

Main Light: Nissin Flash Di700A with Flashbender XL
Hairline light:  Nissin Flash Di700A with Rogue Grid
The Speedlights were trigged using a Nissin Air 1 Transmitter.
Shot with NIKON D810
ISO: 64
Aperture: 5
Shutter: 1/200

ppe expo tatiana behind copy.jpg

IMG_4073CMYKCMYK.jpg

Lighting Demos using Flashbenders at Unique Photo booth during the PhotoPlus Expo 2017.


NYC sm01.jpg

This is the view from my hotel room in NYC.

Now it's on my next workshop!   Location Lighting Workshop will part of the Xposure International Photography Festival in Sharjah, UAE!  Nov 22-25th.   I have an exhibit of my presidential photographs at Xposure. This is going to be great festival, come join us!

I'm kicking off 2018 Location Lighting Workshops with a Bahamas cruise and model workshop with my good friend Vanelli.  Jan. 5-8th.  This will be a lot of "Lighting and Laughing"  Join us!  More info about upcoming workshops can be find my workshop page.

 

Tuesday's Tips: Lights, Cameras, Colors!

Guitarist and singer Ken Susi of the band “Unearth” dropped by the studio this past weekend.  Ken is an avid photographer and wanted to work Keiko and I on lighting.  We quickly volunteered him to be the model. 

We did a couple of multi light gelled set ups.

RF blog015.JPG

In the first image, we used 2 Dynalite Baja B6 strobes, one on either side, slightly behind Ken giving us the light on his face.  Both strobes had a Dynalite 20 degree, 7” grid.  The end of both grids were wrapped in Rosco Cinefoil to further control the spread of light.  On the left side we used a Rosco Medium Straw gel from my Rosco Location Lighting Kit and on the right side we used a Rosco Calcolor 30 Cyan.  Directly behind Ken’s head is a Nissin Di700A speedlight with a Rogue grid and a red gel.  Directly in front of Ken is a second Nissin Di700A speedlight with a Rogue grid.  The power to this Nissan was turned down, giving a minimal amount of white light.  To fire the strobes I used a Dynalite transmitter.  The Nissin flash was triggered by using the built in optical slave.

3 light set ups.jpg
 
 
20170902__DSC4906 copy. SM.jpg
 

The second image is lit from below with one Dyanlite Baja 6 with the 20 degree, 7” grid and wrapped in Cinefoil.  The strobe is centered just below the bottom of the frame.  The red backlight is the Nissin Di700A with the Rogue Grid and the red gel.  The prevent the light from bouncing off the white ceiling in the studio, we placed a black foam core on a Photoflex boom arm over Ken.  

Thank you for stopping by the photographic Lighting Test Kitchen, Ken! Cant wait with you more!
 

20170902__DSC1308.jpg
2light set up.jpg

All photographs where shot using a Nikon D810 and either a Nikon 105 Macro or aNikon 70-200 F2.8 with a 1.4 extender.  The gels are from the Rosco Location Lighting Kit by Rick Friedman.

 

Come join us at one of upcoming “Location Lighting Workshops” !

Nov. 4-5, 2017
Unique Photo, Fairfield, NJ.  2 day workshop

Nov 22-25, 2017
Exposure International Photography Festival, Sharjah, UAE

January 5-8, 2018
Lighting Workshop &Model shoot in the Bahamas with Vanelli & Friends
 

Gels and cinefoil are available from my Location Lighting Kit.

FullSizeRender.jpg

Tuesday's Tips: Leaping for Light!

I had a recent assignment to photograph ultimate Frisbee Player Tulsa Douglas.  As with most of my magazine assignments the only info I was given was her name, contact info and why they are doing a story on her.  The rest is up to me to figure out.   I knew I wanted photograph her at dusk throwing and catching.  First challenge was the location, I knew I needed at large open space to shoot.  The second challenge was the lighting.  I knew the lighting on this shoot would be a mixture of strobe and ambient light. 

For strobes I used 2 Dynalite Bajas.  These are 400watt seconds self contained strobes. On the main light, I used a Dynaite Beauty Dish.  For a light modifier on the other Baja I used a Chimera strip light and a grid, to create rim light.   To determine my exposure I set my Nikon D810 on manual and using the in camera meter I take a meter reading off the sky and underexpose one stop to get deeper color.  Using my Sekonic light meter, I set my strobes to give me the same f stop as the reading off the sky.  As the ambient light drops, I slow my shutter to keep my exposure the same.  Tulsa would be silhouetted, without strobes. 

Check out the behind the scenes video below! 

Thank you, Colby Todisco for creating the video! 

 

 

  

Tuesdays Tips: Introducing new studio assistants!

Greetings from Lighting Test Kitchen!  Meet my new studio assistants at Rick Friedman Photography, Smoky and Ella!  I adopted these two kitties from Angel Memorial in Boston.  To welcome them, Keiko and I dressed up to make announcement photographs!  (we always dress like this, yeah right!)

This is a 2 lights photograph, One Dynalite Baja B600 with beauty dish on stage left and another Dynalite with Chimera strip light on stage right.  This was shot on a Nikon D810 with a Nikon 70-200 f2.8 lens at 200mm,  1/200 second at  F9, ISO 200 using a Dynalite wireless transmitter.

 

 

This is one light photograph, lit with a Dynalite Baja B600 and a beauty dish on stage left.  The light is angle down  to light the entire body and sofa.  Shot on a Nikon D810 with a  Nikon 70-200 f2.8 lens at 70mm,  1/200 second at  F9, ISO 320.

Come join me at one of my upcoming Location Lighting Workshops:
September 17 at Unique Photo in Fairfield, NJ
Ocotber 8th at Hunts Photo and Video in Providence, RI
October 20-22 at the ExpoImaging and Nissin Flash booths at PhotoPlus, Javits Center, New York
January 11-14, 2017 at the SWPP Convention in London, UK

No cats were harmed during the creation of these photographs!

 

Tuesday's Tips: A Smokin' Workshop!

Recently I hosted a smokin’ workshop at my studio in Boston’s historic South End.   Actually it wasn’t smoke, it was fog from a Rosco fog machine!

This workshop was a 2 day advanced Location Lighting Workshop and everyone who attended had previously taken one of my workshops.  We decided to create a complex lighting job! 

It was a slightly rainy day in the courtyard behind the studio, so all the strobes and electrical connections had to be covered in plastic.  The courtyard is 22’ x 40’  minus the space for the garden, we had about 15’ x 30’ to work in.  The key to photographing smoke is to back-light it.  I will introduce you 2 smokin' lighting set ups from the workshop in this blog.

Set Up 1

Main light was Dyna lite Baja 600 with Chimera strip light with barn doors to control the direction of the light.  We set up another Dynalite Baja directly behind the model with a 20 degree grid anda Rosco blue gel.  We placed 4 Nissin speedlights with different color Rosco gels in ziplock bags on the ground and in the tree.  The lantern was lit with amini optical slave with Rosco yellow gel and a piece of Rosco Toughspun to cut the exposure . A cross screen filter was used to create the star effect. Rosco fog machine was at stage left, just outside the frame. 

Nikon D810 Lens (mm): 46 ISO: 200 Aperture: 7.1 Shutter: 1/250

Nikon D810 Lens (mm): 46
ISO: 200
Aperture: 7.1
Shutter: 1/250

In this photograph we changed some of the filters and removed the cross screen filter.

Nikon D810 with a Nikon 24-120 f4. lens. ISO: 200 Aperture: 7.1 Shutter: 1/250

Nikon D810 with a Nikon 24-120 f4. lens.
ISO: 200
Aperture: 7.1
Shutter: 1/250

 

 

Here is what the courtyard looked like without lighting.

Gear used:

1 Rosco Mini V Fog Machine
5 Rosco gels from my Rosco Location Lighting Kit
2 Dynalite Baja strobes, 1, 400ws and 1 600 ws
4 Nissin Di700A flashes ( in plastic bags to protect from the rain)
1 Chimera strip light with barn doors
1 mini flash with an optical slave
5 Pocket Wizard Plus III
2 Pocket Wizard Plus IV
2 PhotoFlex light stands
1 cross screen filter

 

Set Up 2

This is 2 Dynalite Baja and 1 Nissin speedlight set up.  1 Dynalite Baja with a Chimera strip light as main light and the other with a grid and Rosco blue gel as back light.  There is a Nissin speeslight with Rosco red gel in background as well.

Nikon D810 Lens (mm): 100 ISO: 100 Aperture: 4 Shutter: 1/100

Nikon D810 Lens (mm): 100
ISO: 100
Aperture: 4
Shutter: 1/100

 

Behind the scene.

Gear used:

3 Rosco gels from my Rosco Location Lighting Kit
2 Dynalite Baja strobes, 1, 400ws and 1 600 ws
1 Nissin Di700A flash
1 Chimera strip light with barn doors
1Pocket Plus III
2 Pocket Wizard Plus IV
 

Here is our silly group photograph from the smokin' workshop!  Thank you for everyone attending.  Last but not the least, thank you for good friends at Rosco for lending us the fog machine!

Nikon D810 Lens (mm): 24 ISO: 500 Aperture: 10 Shutter: 1/250

Nikon D810 Lens (mm): 24
ISO: 500
Aperture: 10
Shutter: 1/250

I will be at Unique Photo Expo 2016 on June 24 through 26! Hope to see you there! 

Happy Lighting! and Please Don't Feed the Models!

 

 

 

Tuesday's Tips: Lighting Science: 4 Situations, 2 Hours

Recently, I had an assignment to photograph Professor Joshua Sanes of Harvard University.  The client requested an environmental portrait. I alway try to give the client several choices.  This helps with layout and often leads to additional photographs being used in the story.   I had one hour to set up and one hour shooting time.

Set up1)
At 9am, I walked into his office to meet him. It was hard to not notice the incredible light being cast through the window shades, onto the bookshelf creating a cool pattern. This had to be the first photograph of the day and done quickly, as at this time of year the light coming through the window shade, at that angle would not last long.  

I wanted to keep the pattern on the background, but prevent it from hitting the professor.  To accomplish this I had my assistant hold a piece of black foam core blocking the light on the professor without blocking the light hitting the background.

My lighting was a Dynalite Baja 400w/s strobe with a small Chimera soft box with silver interior and a recessed front panel.  The Dynalite was triggered with a PocketWizard PlusIII. The softbox was aimed at the Professor so it would not to spill it onto the background.  The Baja was placed on the stage left, so the light from the strobe would be in the same direction as the pattern from the window. I used a Sunbounce silver reflector on a stand on the opposite side, to fill in the shadow area.  To determine the exposure I used a Sekonic 478 flashmeter to read both my ambient light coming through the window and match it to the strobe output. I exposed for the highlights coming in through the window and matched to store out to the ambient light. 

The photograph was shot with a Nikon D810 and a 105mm lens the shutter speed 1/160 sec at f3.2 at ISO 100.  I tend to shoot my portraits with a shallow depth of field. 

Set up 2)
We moved to a staircase near his office, one side has a wooden wall and the other a wonderful grey stone wall.  Two different backgrounds in one location.  Opposite the camera in both images is a floor to ceiling window.  The side with the wooden wall, had a shadow pattern from the stairs.  I asked the professor to stand in the shade and used my Dynalite to match the highlights in the background with the light on the professors face. Similar to the last setup.

 

Set up 3)
We then moved to the other side of the stairs for a totally different look.  3 portraits done in a short period of time.

 

Set up 4)
For the last photograph of the shoot we went to his lab for a completely different photograph.   It was dark white room with bare walls.  To make it more interesting, I projected one of the professor's research images on the wall.

My lighting of the professor consisted of two Nikon SB-800 speedlights with Rogue grids, one from the right side and the other from left side.  I added Rosco Cinefoil to one of the speedlights to help prevent light from spilling onto the foreground.  I used the speedlights, because of tight space.  

For the background, the projector was set up with the professor's image.  An important note on projecting images on a background:  make sure no light from any of your light sources hits the projected image. White light hitting your projected image or added colors will diminish the vibrance to the projection.  I added a Dynalite Roadmax 800w/s strobe with Rosco blue gel to fill in the background.  All the strobe were fired with Pocket Wizard Plus IIIs.

I had to balance my exposure from 5 different light sources. 3 strobes and the available light from the microscope and the projected image.  The exposure was 1.3 second f5.6  ISO250.  During long exposure it is essential to turn off or block all ambient light.  I shot this on a Nikon 17-35mm f2.8 lens at 17mm an Induro tripod with a cable release.  Even though the exposure was quite long, the subject is sharp because there was no light on the professor.


Here is a list of my workshops, please come and join us!

December 5
Hunt's Location Lighting Workshop, Melrose. MA

December 11-13
Unique Photo Show Fairfield, NJ

2016 Schedule

January 9
Hunts Photo Providence, RI

January 16
Hunts Photo Manchester, NH

March 1
Bedford Center for the Arts, Bedford, MA

April 5-6
New England Institute of Professional Photography, Hyannis, MA

April 9-10
CanAm Photo Expo  Buffalo, NY

April 15-19
Professional Photographers of Canada Convention, Alberta,